Approaching the city of waters always feels like diving into a sea of emotions, while those very sentiments are of all types of nature, the good and the bad, the glad and the sad, the beautiful and the ugly, but mainly the healthy and the sick ones. In that very sense, Venice for sure represents all types of movies, for it is the ideal setting for the romantic drama on the one canal and the mysterious thriller on the other (foggy) canal.
The curtains were raising, as soon as the first note of Mozart’s symphony no. 40 was going to fill a salon of opulence. That is also when I lifted my feet and danced my interpretation of a waltz through a lustrous hall, which made me feel rather small yet gave me a kind of comfort, for its splendour was a luxurious feast for my eyes and thereby for my soul too.
Gazing at the waves might therefore feel like gazing at a metamorphosis of human nature turning into a visible eternity of nature. For the human imitates the sea by living and reaching for eternity while the sea’s infinity visually appears to one’s eyes.
Imagine a young man with a brilliant aesthetic eye, combined with a theatrical persona as well as an addiction to glamorous society. The talk is of Cecil Beaton, one of the most celebrated British portrait photographers of the 20th century, renowned for his images of elegance, glamour and style.
Originally rooted in fine arts, Lartigue took his first photograph at the age of seven after receiving a camera from his father. Later his passion for photography started sculpting by recording the pastimes and glamour of a wealthy Parisian milieu.
Immediately after diving into the book, which is bound by hand and feels like a map, a journey unfolds, leaving imprints of LA streets and corners. Indeed the photographs mentally brought me to Los Angeles without having been there before.
It is no secret that especially Caravaggio has been able to bring not only an incredible light but also an equal amount of strong emotions to his works. The innermost motions of the psyche were greatly important to Caravaggio’s contemporaries too.
As soon as entering the villa, I entered a world of wonders, feeling almost like an old romantic movie in black and white including loads of aesthetic scenes. Indeed I have experienced an intense connection with the arts and its former owners, while strolling through the well-decorated living rooms.
While I was visiting the international exhibition, I noticed a certain ambition towards depicting human failure as well as human tragedies including acts of violence, slavery and suppression. My artist guide is based on the works of art whichever managed to capture the pivotal idea of La Biennale this year including many diverse approaches towards the human way of living life.
Currently the Garda Island is owned by the Cavazza family, but over the centuries it had various names which were nearly always linked to the different owners: insula Cranie, island of Monks, Lechi island, Scotti island, de Ferrari island and later Borghese island.
The exhibition manages to give an overview from 1974 until the present works, including early media works, drawings, watercolours, silkscreen prints, gesso pieces as well as site-specific wall paintings.
The Antonio Dalle Nogare Foundation was established in 2012 to promote contemporary art as a language for interpreting changes in society and as a tool for promoting interaction between art, architecture, innovation and artistic research, intending a wide range of the general public to engage and take part in various programmes.