The Antonio Dalle Nogare Foundation was established in 2012 to promote contemporary art as a language for interpreting changes in society and as a tool for promoting interaction between art, architecture, innovation and artistic research, intending a wide range of the general public to engage and take part in various programmes.
Vienna Contemporary is back with loads of great art and even more young galleries and artists that you should keep an eye on in the near future. For general information about VC please head over to my fair report from 2016. This year Vienna Contemporary, located at Marx Halle, opened with 118 galleries and institutions from 27 different countries, presenting works by more than 400 artists. Because of this density it’s rather challenging to choose artists.
The aim of Parallel Vienna is to present young and emerging artists, side by side, bringing together artistic initiatives of all kind. Furthermore, Parallel wishes to give equal space to both Austrian and international artists / galleries, fostering a platform of exchange.
Each summer the Royal Academy’s galleries are jam-packed with contemporary art made by internationally renowned artists and young talents graduating from the Royal Academy of Arts. This year, Grayson Perry, and his committee of fellow artists have handpicked over 1,300 artworks in an array of mediums.
However, architecture as an exhibition theme was officially added to the Biennale’s activities only in the 1970s, in events, which adopted a historical approach, such as “Italian Architecture during Fascism” (1976). In 1980 the 1st Architecture Biennale opened its doors. This marked the beginning of a new phase of the Biennale, which was characterized by various collateral events and the expansion of the locations in the city, including the Arsenale.
Studio Drift invites us to reflect on the impact of technology and digitalisation on our society. Several recent works explore the paradoxical relationship between the real and the virtual world.
The project is focused on the employment of a painting style characterised by a political commitment, figurative narratives and radical graphics that have been rejected by New York’s mainstream culture. The exhibition is structured around three thematic sections, all of them devoted to two generations of artists formed in Chicago between the 1950s and 60s.